Enough of E3! Let’s talk about other games #2017

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Zanki Zero (PS4/PSVita)

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Survival-RPG produced by the DanganRonpa team, Zanki Zero has the most interesting concept this year. Zanki is an idiom known in shoot’em up which represents the number of starships remaining before game over. In the same logic, the 8 boys and girls of Spike Chunsoft’s devastated world will have to progress and survive until no one remains. Rather advanced in its management, Zanki Zero will ask the player to quell the stress of the characters and even take care of their natural needs.

Shin Yomawari (PS4/PSVita)

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Remarkable game of 2016 in the fear department, Yomawari obviously sold well enough to warrant a sequel because Nippon Ichi Software plans to release Shin Yomawari in very territory this year. You will this time control two girls on after another, the world will be larger, including indoor environments among new frightening spots.

Tokyo Clanpool (PSVita)

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Compile Heart is on the move on Vita with a brand-new DRPG, the heroine which is… a loli prime minister ! Along with her cabinet, Natsume tackles the exploration of a mysterious black tower that crashed on the Japanese Diet building. Openly political, Tokyo Clanpool features a support rating as central criteria.

Dragon Quest XI (PS4)

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After the moral collapse of Final Fantasy, Dragon Quest XI is one of the references JRPG fans must consider. Casino, horse racing, dragon mounting, smith… SquareEnix’s next hit underlines its rich content and classicism to better attract summer players.

The Great Ace Attorney 2 (3DS)

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Cool but significantly incomplete, Great Ace Attorney had sequel” written all over it. That’s now on rails and we’ll again have the pleasure to experience the Victorian and Meiji era with Ryunôsuke, but also from the eyes of his distant cousin Ryutarô.

Legend of Heroes Trails of Cold Steel III (PS4)

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Falcom likes to play with fans’ feelings with its first PS4 exclusive. Trails of Cold Steel III reshuffles the roles and calls back popular characters from older episodes. Unexpectedly, Aurelia becomes headmistress of Thors Academy, Tio makes a noticeable entrance and eccentric Dubally will once more stand on your way along with the threatening secret society she belongs to. Meanwhile, no word on your former comrades from Trails of Cold Steel II… Falcom or the master of suspense.

Nights of Azure 2 (PS4/PSVita/Switch)

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Obsequious to Nintendo’s orders in exchange for a juicy part of profits in the Fire Emblem Warriors project, KoeiTecmo had left Nights of Azure in the dark the time the were preparing the Switch version. Having recently reappeared in the press, Gust’s action-RPG showed its final casting of Ashule’s partners and detailed the swimsuits offered as an apology for the long delay.

Moero Castle Panzers (PS4)

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Compile Heart had a clear purpose when choosing PS4 as the only platform for Moero Castle Panzers. The company intends to offer the usual Moero experience (touching the girls’ body) in the best 3D they can deliver. In terms of battle, we’re now looking to tactical-RPG featuring various jobs depending on the equipped underwear (!).

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A look back at some E3 2017 videos

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Transference (PSVR)

Only game to have drawn my attention during conferences, Transference is a intriguing UGO from Ubisoft. The publisher takes neurological experiences conducted in the late 90’s as base. It was about transferring human emotions into a digital space. By reflecting that in virtual reality, the French company lets us expect a mystical and deeply frightening experience.

Gran Turismo Sport (PS4)

With its Jurassic Park-like music, Gran Turismo Sport comes to reminds us that racing simulation is not just about teraflops. It’s also about impressive racing tracks, joyful atmosphere, great music and lavish show. As many aspects that Sony’s exclusive won’t lack when facing Forza 7.

Code Vein (PS4/XB1/PC)

Not very different from the trailer of last month, Code Vein’s trailer (strangely shown during Microsoft conference, BandaiNamco will have a lot of explaining to do at home) still’s worth a glimpse. It’s kind of a God Eater of darker design and world, with slower but more powerful gameplay. But more than that, the giant leap in graphics and animation is especially exciting.

13 Sentinels Aegis Rim (PS4/PSVita)

Announced two years ago, we still don’t know what 13 Sentinels Aegis Rim is for sure. Atlus brings it to E3 without even giving detail on its platforms or its genre… We therefore have to kill time watching this beautiful trailer until the publisher finally reveals everything. The music has a striking sense of grandeur, and the devastated and soulless Earth is intriguing.

E3 2017 Nintendo – The Longest 25 Minutes

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The Nintendo defense force has faith. Despite a tiny launch line-up and a cloudy future, Switch entered the gaming market with a bang. Stocks issues keep being recorded in all continents, the situation being extremely serious in Japan where costumers have to earn the right to purchase via lotteries organized in stores. As the demand seems to be never ending, observers wonder if we might be witnessing a Wii-like phenomenon.

Before entering the (dramatically important) analysis of Switch’s debut, let’s have an overview of the firm’s yearly financials. Here, we must stress that despite the 2.74m Switch shipments, the fastest-selling Pokemon game ever and the greatest Zelda of all time”, revenues still go down 3%. Operating result melted 10% in the wake of new expenditures. The net result, however, skyrockets by 521% and this is where it gets interesting. Those profits comes from 3 items : minority interests bring 20 billion yens (Pokemon GO dividends, no doubt), the exchange market was 13 billion more favorable compared to 2016, and the company earned no less than 60 billions by selling securities. By doing the maths, you realize that video games actually don’t make more profits than last year. Those artificial profits hides the truth, which is that the business is flat due to the fact that Switch cannot compensate WiiU’s rapid collapse. On the next fiscal term, 3DS shipments should go down, increasing the pressure on the new system.

The big question is : who’s buying Switch ? Who are those who frantically throw themselves on the first Switch in sight ? With 2.76 millions copies sold, Zelda Breath of the Wild has over 100% attach rate. Mario Kart 8 DX also has a high percentage, with half of Switch owners getting it at launch. 1,2 Switch is stalling, and many ports achieve mediocre sales. My interpretation is that Nintendo fans become increasingly radical : they want more Nintendo, as soon as they can grab the stuff. True, some core gamers at large join them in the Switch install base, the offer being a lot more attractive than WiiU in its time. But data is lacking to give solid conclusions. August 31st will be key in ascertaining Switch’s attractiveness as Nights of Azure 2 hit PS4, PSVita and Switch at the same time. FIFA Switch eventually came to be FIFA18 but will come in a weaker version, lacking Forstbite engine and story mode. The only question will be whether Nintendo fans quit playing Splatoon 2 to embrace EA’s football.

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Let’s stress that those will be the only occasions in which Switch and PS4 will directly face each other : despite the stupefying sales pace, 3rd parties around the world do not care about the hybrid system. NIS America may have shipped 100K units of Disgaea 5 Complete, NIS Japan disregards that and is making all its next games for PS4, PSVita and PC. Not even a little port for Switch ! Very surprising given the business opportunities that were proven by Disgaea 5 Complete’s good reception. BandaiNamco, who’s regularly provided Dragon Ball Z games for 3DS, and who’s porting Xenoverse 2 on Switch, ditches Nintendo’s new system in the case of Dragon Ball Fighter Z, one of the best games of E3. Code Vein, Namco’s brand new post-apocalyptic action IP, is skipping Switch too. The last direct that had revealed Nights of Azure 2, Fate Extella and Senran Kagura for Switch shook the web. But after this E3, we can conclude that Nintendo merely reactivated old alliances, KoeiTecmo and Marvelous obeying the Big N every time a fat check comes from Kyoto. In Japan, the balance of powers has yet to turn in Nintendo’s favor.

In the West, no one will be surprised in seeing large publishers shunning the Switch. Bungie was recently saying that Destiny 2 on Switch would be “unrealistic” because the idea behind the Switch doesn’t fit with always online. Bethesda is not doing more than the Skyrim super late port, and is almost being cynical in the way it keeps all its new games for PS4 and XboxOne. Despite outsourcing the development of Mario + Rabbids, Ubisoft has no big game to give in exchange of borrowing the Mario franchise : Switch ends up having the usual Just Dance, and Starlink Battle for Atlas, a shoot’em up based on toy models. One after the others, AAA titles shine at E3, and for none of them Switch gets the spotlight. In the mid/long term, Switch can only choke form the lack of AAA, not even having AA titles to resist. In fact, the situation hasn’t really changed compared to January 13th : Nintendo is trying to find its way alone and the line-up is as weak as before… As I said last year, the “perfect Zelda” achieved nothing in the console war.

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Nintendo intends to ship 10m Switch by next March, but that would merely make it reach WiiU’s final figure. Once every Nintendo fan has the system (adding some core gamers interested in some Nintendo IPs), how will Switch extend its influence without any of the big names that dominate today’s gaming market ? After this E3, Switch welcome a mere 10% of upcoming titles and no 3rd party developer came up with something new in the tiny Direct of just 25 minutes. And on the 1st party side, nothing big enough to threaten Sony’s and Microsoft’s market share. True, we got a glimpse of the ever returning Yoshi and Kirby, but no doubt they’re quicly developed low end games aimed at luring the masses. Xenoblade 2 received a new, improved design by jumping on the bouncy harem RPG bandwagon and Fire Emblem Warriors seems to have quite an effective casting. But those two seem isolated, not mention that their release window is still vague. To Call of Duty WWII and Far Cry 5, Nintendo hasn’t got more than a simple Metroid Prime 4 logo to oppose. The competition must be stricken with fear… Only Mario Aliasing Odyssey got a definite release date, which leaves room for many delays. In the current state of affairs, the Switch is trying to conquer the world with an army of late ports, a flurry of indies and a 500-yen Senran Kagura application. Not sure it’s gonna be enough…

By the way and if Sony and Nintendo both achieve their objectives, Switch would be largely dominated by PS4 in its first full year, Sony expecting no less than 18 million PS4. The gap would only grow whatever the reason (no enough supply or loss of interest). That said, there is no doubt that Switch will eventually sell several times more than WiiU. It’s the most powerful handheld on the market, which gives it a potential market of at least 25 million costumers in Japan alone. Even without 3rd parties to support it, the mainstream public (who still buys 3DS) should guarantee continuous sales. It will also get a main Pokemon game and a main Fire Emblem strategy-RPG, so that’s millions more clients in the bag. And with no successor for PSVita, many Japanese developers may need Switch to tap the handheld market. This is the major subject of the next few years : will Japanese 3rd parties make sufficent profit on PS4 alone ? Will their technological level improve to the point Switch ports would become impossible ? Monster Hunter World and Code Vein already signify their PS4pro/XboxOneX optimization : even before releasing, Switch was out of the league. If that becomes a general trend, then the current divide of the Japanese market will continue : older core gamers playing on PS4 in cold war with a mainstream majority focused on casual experience. At best, Nintendo can aim at peaceful coexistence with Sony, both system being complementary and a decent number of gamers playing on both.

As suprising as it may seem after 3 months of massive success of its new console, Nintendo is still a tiny player on the world stage. Not a single publisher has faith in Switch even though it’s flying off shelves, and the manufacturer itself isn’t strong enough to match ambitious and innovative rivals. This E3 is further proof that Nintendo is leagues behind and isolated from everyone.

E3 2017 Sony – The World is not Enough

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The task was a lot more complicated for the industry leader this year. Indeed since 2016, the competition brings stronger offer and Sony must face the raw power of Xbox One X and fast-selling Switch. This year, there would be no default victory.

The manufacturer can boast a renewed financial health. Despite lower revenues (-6%), the operating result stabilizes around 300 billion yens, a respectable level. However, the net profit halved, Sony not being able to avoid non deductible amortization. Sony also posted a lesser financial result than last year, but it also means purer profitability. Amortizations widely affect some lines of product : semi-conductors, components, TV & Cinema are on the wane. Unfavorable currency rates were a factor too. On the other hand, the mobile sector improved a lot, and some other keep making nice profits : photo, audio & video, banking & insurance and of course, gaming.

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PS4 is unstoppable, the growth in sales is so massive that the department registers a 50% progression in operating result, reaching 135 billions. That is roughly five times Nintendo’s ! 20 million PS4 were sold. The home console has topped 60 million install base worldwide and should overtake 3DS in the next term despite being… a lot more expensive ! In consumer value, Nintendo’s handheld has been beaten since a while. Moreover, let’s notice that given the gap in Japan (18 million in favor of the 3DS), PS4 has already reach a bigger install base than 3DS in the West. Currently, ¾ of 3rd party games to come are either for PS4 or PSVita. Sony’s line up has a hammering strength and got more key titles during pre-show : Dissidia Final Fantasy NT, Far Cry 5, Little Witch Academia, Need for Speed Payback or Darksiders III. Games that won’t be seen on Switch… Ni no Kuni II Revenant Kingdom, Ace Combat Skies Unknown and Gran Turismo Sport also come back with attractive trailers.

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With such a pre-show, what the hell was going to be in the conference ? Well, like last year, nothing… IF memory serves, we’ve probably never seen such a boring show from Sony at E3 : the rhythm was slack, the long list of VR games we don’t even recall the more of was pitiful, there was zero surprise announcement and the gameplay shown was horribly generic (Days Gone of War, etc.). After what seemed to be less than 55 minutes, disastrous is the only word that comes to mind. But where the fu** are Atlus, Sega, KoeiTecmo, Rockstar, SCEJ, BandaiNamco (well for the latter we know : at Microsoft’s) ? SquareEnix had no better to show than a fishing mini-game in the (dumb) FFXV universe. Don’t those guys have better to bring in the biggest show of the planet !? No creators invited on stage either, which made the conference lack human passion, whereas Ubisoft delivered it brilliantly : Sony had no friends that night… With such a presentation, why send all those big games on the back in pre-show ? Why give the rendezvous at 3 a.m. if the major stuff starts airing at 2 ? The organisation, even more still than the lackluster content, has been a gigantic failure.

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Only point to its credit, Sony puts an ends to 5 years of Monster Hunter exclusivity on Nintendo platform by welcoming Monster Hunter World on PS4. This announcement has a considerable impact in terms of brand, especially at home. With splendid 4K screenshots immediately shared everywhere in the world, Monster Hunter World on PS4Pro obliterates Monster Hunter XX Switch on the technical side, and offer the first true evolution of the series in 10 years. Japanese forums caught fire. Still, Monster Hunter World is not a portable game. When Monster Hunter 3rd was ported to PS3, it had sold roughly 10% of its PSP counterpart. Monster Hunter fans are used to enjoy hunting experience on the go, so there’s a natural limit to Monster Hunter World’s success on PS4. Without the game being ported on a hypothetical PS4 mini portable, PS4 will only marginally resist to future Monster Hunter titles on Switch.

It remains that Sony’s advantage only grows after this E3. EA, Bethesda, BandaiNamco, Activision and Ubisoft aren’t keen on using their Switch dev kits : every third party title of the show was running on PS4, while Switch had at best a dozen of games (some of which being late ports). Even with the snooziest conference, Sony isn’t threatened one second by an isolated Switch.

The conclusion is still a terrible E3 for Sony whose offering has declined over the years. In its communication, the manufacturer clearly failed to give a clear view of what kind of greatness” awaits for Playstation players. The bright future turned into a grey mist. Microsoft caught up on the technology, Nintendo went one step ahead in terms of innovation, but Sony doesn’t gather its strength to respond and remains passive. Its hold on the market is strong, but inaction is the greatest danger.

Enough of E3! Let’s talk about other games #2016

Atelier Firis (PSVita/PS4)

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After a rather average Atelier Sophie, Gust had to react and strengthen the series. Looks like they’re doing so, by the looks of the enhanced graphics, evolving and more convincing character design and the innovating game system. The adventure is no longer centered around one town and Firis’s base camp will be mobile. Moreover, choices you make on the world map will cause slight changes on the flow of events. NOCO and Yûgen seem to have sharpened their skills on those first characters, NOCO in particular taking a more mature/sexy orientation. Yûgen has this curious character called Ilmeria, who makes me think she can be a Meruru successor in some way. I must admit that the improvements are stunning so far.

Kangokutô Mary Skelter (PSVita)

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A Compile’s Dungeon-RPG that I am eager to play, partly because the devilish art direction is conducted by Kai Nanameda, already behind Trillion, God of Destruction. This DRPG takes a survival approach by its ghostly Nightmares who will hunt you down so fiercly you’ll have to run away. Several jobs have been unveiled, as well as a Genocide mode in which the girls gain immense power when in contact with ennemies’ blood. On the contrary, licking the blood will heal them, but remove the Genocide state. A gameplay balance in which risk-assessment will be key.

Sengoku Otome (PSVita)

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Weird background for this game since taking its origin from a anime itself coming from a pachinko! Sengoku Otome is kind of the Oda Nabuna game we never got : this fighting game which seems to play like Senran Kagura features girls representing general from feudal Japan. The ambitious Tokugawa Ieyasu becomes a shy pink-haired girl while Toyotomi Hideyoshi turns into a blonde loli. As much as I feel sorry for those great men, the paradox looks rather fun.

Root Letter (PS4/PSVita)

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A visual novel of fascinating concept. The player has had a pen friend called Aya, with whom he has exchanged 10 letters. In the very last one that he finds and reads years later, she admits committing murder. From there the game start as an investigation thriller, in which you have to find Aya’s former classmates to uncover the truth.

Black Rose Valkyrie (PS4)

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Compile Heart is going into something a bit different for this game, because one of the girls of Black Rose Valkyrie is a traitor. So while fighting against a fierce virus and monsters called Chimeras, the main character will also have to regularly question his allies, very much like in Lost Dimension. Reminding Galapagos’s works in a lot of ways, it also features costume break as it was in Omega Quintet.

Idolmaster Platinum Stars (PS4)

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Stunning by its sharp anime style, Idolmaster Platinum Stars will be my first step in that famous IP. Sure had to go into it one day. The player once more takes the role of a star manager and will have to lead his girls to the top of the entertainment business. You really start from scratch this time, because you pick the girls at the very beginning of their career.

Tokiden 2 (PS4/PS3/PSVita)

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Not much to say more about Tokiden 2 since I wrote a lot about the demo last time. It’s just matter to check how large the world really is and the improvements made to combat.

Caligula (PSVita)

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An RPG to have on your radar for its original base story : the students in Caligula are trapped in a fictitious ideal world created by a vocaloid called μ. Although the digital singer actually protects them from the wicked real world, those young men and women decide to stop living a lie ad will seek to destroy μ. Centered on the subject of digital worlds, Caligula benefits from genuine vocaloid songs.

A look back at some E3 2016 videos

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Nier Automata (PS4)

Not such a good a trailer, because it’s ill-paced somewhat. That said it does show a bit of exploration. Which surprised me to be honest, I thought that it would be a «corridor» game of sorts. I was obviously wrong about that. There are a few seconds of battle, but very valuable seconds! It’s ultra fast, super thrilling, you have to dodge countless stuff, the boss design is wild and… well, please this release quickly, SE.

Battlefield 1 (PS4/XB1/PC)

As usual another masterpiece of a trailer from DICE. Immediately in the flames of war by the scene inside the tank, Battlefield 1 is showing off its dream-like 3D engine to make World War more real than any documentary. The violence and the fury of combat is breathtaking . It was by far the best-looking game of E3, and the choice of a lesser known era really gives the sensation to experience something new.

Fate Extella (PS4/PSVita)

Although I only know the Fate IP by watching Ilya, this new beat’em all by Marvelous has my interest for the extraordinary quality of the action. The number of foes is seriously impressive, more than in any Warriors game. The combos are quite flashy and lavish in their colors and large moves.

Tales of Berseria (PS4/PC)

My hypometer rose a bit further after this trailer. The narrative seems very dark and you can sense strong hatred and rivalries already : two things that generally lead to great JRPGs. Velvet is such a awesome character, Namco’s Lighting I’d daresay since she seems to have every possible quality you’d expect from a female lead, including a well-chosen voice actress. The general design split between holy, darkness and burlesque makes a great artistic touch even though the 3D engine looks quite worn off.

Gravity Daze 2 (PS4)

Despite my anger towards the fact that it’s not coming to Vita, I have to admit that Gravity Daze 2 looks more beautiful and richer each passing day on home console. This trailer show how much SCEJ is serious about this : the town is extremely lively, full of colors and the particle effects get sharper each time the game is shown. It’s pretty that it looks exactly like a live comic. I thought the kinda vintage music was very clever too. The framerate does show some weaknesses so we’ll have to wait for a future build, but I think I can can at last put my frustration behind me.