Enough of E3! Let’s talk about other games #2017

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Zanki Zero (PS4/PSVita)

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Survival-RPG produced by the DanganRonpa team, Zanki Zero has the most interesting concept this year. Zanki is an idiom known in shoot’em up which represents the number of starships remaining before game over. In the same logic, the 8 boys and girls of Spike Chunsoft’s devastated world will have to progress and survive until no one remains. Rather advanced in its management, Zanki Zero will ask the player to quell the stress of the characters and even take care of their natural needs.

Shin Yomawari (PS4/PSVita)

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Remarkable game of 2016 in the fear department, Yomawari obviously sold well enough to warrant a sequel because Nippon Ichi Software plans to release Shin Yomawari in very territory this year. You will this time control two girls on after another, the world will be larger, including indoor environments among new frightening spots.

Tokyo Clanpool (PSVita)

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Compile Heart is on the move on Vita with a brand-new DRPG, the heroine which is… a loli prime minister ! Along with her cabinet, Natsume tackles the exploration of a mysterious black tower that crashed on the Japanese Diet building. Openly political, Tokyo Clanpool features a support rating as central criteria.

Dragon Quest XI (PS4)

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After the moral collapse of Final Fantasy, Dragon Quest XI is one of the references JRPG fans must consider. Casino, horse racing, dragon mounting, smith… SquareEnix’s next hit underlines its rich content and classicism to better attract summer players.

The Great Ace Attorney 2 (3DS)

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Cool but significantly incomplete, Great Ace Attorney had sequel” written all over it. That’s now on rails and we’ll again have the pleasure to experience the Victorian and Meiji era with Ryunôsuke, but also from the eyes of his distant cousin Ryutarô.

Legend of Heroes Trails of Cold Steel III (PS4)

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Falcom likes to play with fans’ feelings with its first PS4 exclusive. Trails of Cold Steel III reshuffles the roles and calls back popular characters from older episodes. Unexpectedly, Aurelia becomes headmistress of Thors Academy, Tio makes a noticeable entrance and eccentric Dubally will once more stand on your way along with the threatening secret society she belongs to. Meanwhile, no word on your former comrades from Trails of Cold Steel II… Falcom or the master of suspense.

Nights of Azure 2 (PS4/PSVita/Switch)

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Obsequious to Nintendo’s orders in exchange for a juicy part of profits in the Fire Emblem Warriors project, KoeiTecmo had left Nights of Azure in the dark the time the were preparing the Switch version. Having recently reappeared in the press, Gust’s action-RPG showed its final casting of Ashule’s partners and detailed the swimsuits offered as an apology for the long delay.

Moero Castle Panzers (PS4)

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Compile Heart had a clear purpose when choosing PS4 as the only platform for Moero Castle Panzers. The company intends to offer the usual Moero experience (touching the girls’ body) in the best 3D they can deliver. In terms of battle, we’re now looking to tactical-RPG featuring various jobs depending on the equipped underwear (!).

Review – Senran Kagura Peach Beach Splash

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Those who follow Kenichirô Takaki on twitter know that Marvelous’s star producer is a big fan of western FPS. Despite being busy on its own projects, he still saves some time to play Call of Duty, Battlefield and the likes. From there, merging that interest with the Senran Kagura series was only a question of time, and here we are with Senran Kagura Peach Beach Splash.

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The beginning is worryingly similar to Senran Kagura Estival Versus : the girls from the four shinobi schools suddenly get warped on some island paradise, where they are asked to compete against each other. Yes, that’s the second time in a row that the scenario writer comes up with some old tournament coming from nowhere… The teachers Kiria and Suzune are in charge of the commentary (in a hilarious way) of that strange competition in which the heroines will face each other using… water guns! To be frank, the five storylines felt anecdotal and the story in whole is once again quite meaningless. Nothing like the first episodes of the series, but with such a wierd main topic, building a serious narrative seems contradictory. It’s very clear (and logic) that the devs whould keep a light-hearted tone while trying an unnatural genre.

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The story still has some merits as it announces major changes in the timeline : central characters seem about to leave their respective groups, with very interesting perspectives, and others like Ayame officially join as main characters. Certain side stories are still lot of fun, like the now famous Ryôbi/Ryôna duo who never run out of ideas in their SM relationship. The way the story is told is still modest (simple dialog and plain text) despite being once more nicely illustrated. The narrative is slim and maybe the producer was aware of that, because Senran Kagura 7 is cleverly teased at the end and we can now expect the story focus to be back.

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The solo mode is composed with several storylines corresponding to each faction. Those mini-stories are themselves divided into short missions where you have to beat larges group of robots, other characters or an entire opposing team. The player has 4 life bars so as to withstand entire matches in which water is coming from all directions. Yet the normal mode is piece of cake and you’ll prefer hard or ultra-hard to enjoy it more : IA becomes a lot more aggressive, asking you to be fast and precise. Ally IA is a lot less satisfying as it’s totally erratic. They can sometimes clear the mission on their own, but in other stages you’ll have revive them constantly.

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While standard missions can feel tedious, this episode introduces bosses at lot more interesting and innovate than ever in the series. Those objectives are hard and make an intense and rewarding end for each storyline. You’ll have to fight giant robots, some in limited time, but there’s also a cool Easter Egg to the anime as you’ll be facing a giant Ryôna bathing. Last but not least, the final boss is absolutely glorious : fun, with crazy music and behavior, it makes the best use of the wacky side of the game.

Basic gameplay is voluntarily close to your average western shooter : you aim, fire and jump with the same buttons. No problem for players used to FPS or for anyone for that matter, it’s thoroughly intuitive to play. Like in any competitive shooter, Senran Kagura Peach Beach Splash gives you the choice between a lot of weapons of various fire(water?)power, reach or firing rate. Again, it’s like any FPS out there so everybody can enjoy the game in its own playstyle, at close, mid or long range. The double jump being quite vigorous, you can achieve impressive aerials with the sniper rifle.

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The gameplay is based on aim assist, which can seem childish at first, but is justified by the very fast pace of the matches, where opponents’ moves are a lot more unpredictable than in Battlefield or Call of Duty. The jet pack for example allows you to go through the map at astonishing speed. Very clearly, players would spend their time missing with just manual aim. The focus is non stop action from the first second to the last, and it works pretty well : camping is useless, everybody has to move to get some points.

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But aim assist is no auto-aim and you’ll need to be careful to fire from a correct angle, otherwise you’ll just be throwing water into the air. Water storage is limited, so you have to refill liquid like you’d change ammo, making you vulnerable. You’ll therefore look for the scarce cover points to do so, or do it while jumping which accelerate the refill. In short and despite the new type of game, Senran Kagura keeps its dynamic gameplay.

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Adding to weapons, the game will ask you to prepare a deck of cards. This TGC is in fact a transformed version of the smartphone game Senran Kagura New Wave, the rules of which being adapted to Marvelous’s TPS. After each mission, you’ll receive a booster pack including several cards with a chance to get super rare ones. Exactly like how you’d by a booster pack in reality, in fact. There are several types with various effects : protecting/healing yourself, attacking opponents, boost your stats or hinder enemies’ actions. The diversity of those effects adds a little strategy in matches like you’d find in Call of Duty.

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The cards can be reused after a short cooling time. You can therefore use your entire deck several times in one match. And for the first time, you’ll be happy to get duplicates since all extra cards will be transformed in experience points and allow you to boost your characters’ HP and the weapons’ power. With a total of 821 different cards, the collection is vast and can keep you busy for some time. The only drawback of this system is that sometimes the cards are more efficient than shooting, which is contradictory to the central idea of the game.

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Senran Kagura being what it is, the competition will deliver its deal of risqué scenes. The kune kune finish replaces the puru puru finish in Senran Kagura Peach Beach Splash : it’s about sprinkling water at maximum pressure on a KO girl to take off one part of her bikini. The game doesn’t falter on the fan-service it wants to deliver, and also the kinky angles of the defeat poses. Costume break is still on the menu, and now you have a selection of costumes that can get wet to see through them.

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Among the good surprises, you can now who you want to see as shop clerk in the in-game costume & accessory shop. The amount of fan-service clearly doesn’t disappoint, even though it’s less varied than in the previous game, and graphics & animation benefit from the PS4 exclusivity (richer animation and far more effects on the screen).

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The Georama allows you to make very fun, cute, but also very hot scenes thanks to the numerous poses and accessories. But the changing room mode is where we come to miss PSVita as the touching loses all the fun despite the fresh sprinkling.

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Like any shooter, Senran Kagura Peach Beach Splash include online multiplayer. There are two main parts : cooperation and competition. The survival mode can unite up to six players who’ll have to protect bases against 50 enemy waves. It gets real hard at wave 30, so you’d better build solid teamplay to repel increasingly resistant foes. That’s when you can take advantage of the nure power-up : when allies splash you, you can benefit from an aura that allows you to fire (water?) at will without the need of refilling.

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In competitive ranked matches, the multiplayer get a lot less fun. Battles are 5 vs 5 players and include domination, team deathmatch and now capture the flag. The problem is that everyone has lvl 10 characters and weapons, so you don’t stand a chance unless you’ve grinded quite some time in solo play. Maps are rather tiny and movement very fast, so it gets very confusing most of the time, making it difficult to achieve anything. Weapon and card balance is still wobbly, so it’s not as accessible as the producer promised. Matchmaking isn’t very effective, taking long minutes to find players. Finally, lag is still bothering on 1.07, thing that didn’t happen in Estival Versus. So the competitive side isn’t living up to today’s FPS standards.

Senran Kagura Peach Beach Splash was a risky project giving its unexpected genre, but Kenichirô Takaki manages to establish a wonderful compromise between TPS and the Senran Kagura spirit. Despite the poor story, the successful conciliation of lavish fan service, fast-paced gameplay, high-end visuals and traditional TPS features guarantees a lot of fun for series fans. A shame that the multiplayers remains a half-full glass, but solo play has everything you need for enjoyment.

Review – Tokyo Xanadu

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In the long list of Falcom’s action-RPGs since the 80’s, I find names like Ys, Brandish, and the more discreet Xanadu. Distant successor, Tokyo Xanadu drops the heroic-fantasy of its ancestor to deal with urban legends in more contemporaneous anime style.

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Kô is your average high schooler, spending his time between school and part-time jobs. Not very passionate about anything, he lives with the memory of the giant earthquake that shook Tokyo 10 years before. This very day, he and his childhood friend Shiori saw large red mark in the sky. This trauma will soon haunt him again as one day Shiori vanishes in another dimension. From there, a mysterious girl called Asuka appears before him and reveals the existence of a menace from a parallel universe. The disaster 10 years ago was no quake, and Asuka urges Kô to help her prevent it from happening again.

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Tokyo Xanadu has a Persona-like progression system. The game is strictly divided into different phases coming on a regular basis : main story, main dungeon and free time for preparation and distraction. Falcom has put efforts in the narrative and it makes significant progress : every chapter introduces a character and goes in depth about his background and personality, exactly what you’d see in a good anime series. Thanks to this rigorous story-telling, all characters have equal importance and there’s no shallow or underrated character. Every one of them has a clear role, a real importance in the narrative as a whole and all get their time to shine.

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All the side narratives have some meaning in them, sometimes very strong and emotional : Rion’s past brought me to tears. On the other hand, Sora’s troubles for example felt a bit flat. But anyway, the title is packed with emotions and should captivate you increasingly more as you progress. Lots of side quests are also touching, many of them referring family as a general theme in a very mature way. The end the main narrative is truly tragic, unless you manage to get the true end. In short, Tokyo Xanadu is simply humane, beautifully.

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Leisure parts allow you to wander in an imaginary Tachikawa, deepen your relations with other characters or dive into annex dungeons in order to collect materials. You’ll even go at the butcher’s or the greengrocer’s to buy ingredients, because cooking exist in Tokyo Xanadu just like in Trails of Cold Steel II. Like the latter, each character has his/her favorite meals and you’ll have to choose your cook accordingly. The game also includes several mini-games like fishing or the card game here again from Legend of Heroes. Falcom adds a sort of dexterity game based on Alisa (from Trails of Cold Steel again) disguised as a magical girl.

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Battles look like a standard action-RPG like Kingdom Hearts or Final Fantasy Type-0. There’s a base combo on square, a charged blow on triangle and a long distance attack on circle. You can bring up to 3 characters in a dungeon, the basic principle being to swap between them in order to strike enemies on their weak element, or to let one recover HP. That’s for theory. Actually, the game is a little too easy : the greeds (that’s how you call monsters in this game) neither are very solid, very fast, nor are there a lot of them, so Tokyo Xanadu doesn’t provide that exhilarating feeling that action-RPGs should. The slowness of enemies is especially to blame : you can chain an entire combo between the moment they announce their attack and when they actually strike! Besides, Sora’s charged attack can OHKO most monsters. Is that because Trails of Cold Steel II was felt too hard? In any case, Falcom considerably diminished the challenge for this one.

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The 8 characters have their own fighting style and a personal Soul Device (how you call weapons in this game), which guarantees a nice variety of gameplay. Asuka si your classic JRPG swordswoman, nimble and forceful. Kô stands out with his whip sword of good reach. Sora excels in power and speed, while Shio moves more slowly but can cover a larger area. Those two should really have got a nerf because they can crush everything on their path without problem. The most technical character remains Mitsuki : the head of the student council can deploy a shield that can protect her and at the same time damage opponents. She can thus block hostiles but also deal a decisive blow when activated at the right time.

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Like often, boss battles are the most exciting. In difficult mode, dungeons are still piece of cake but bosses become more dangerous. Let’s stress that you can tweak difficulty any time form easy to difficult, another gesture from the developer to non-experts. A Nightmare mode exists but it cannot be modified afterwards. Your risk. Either way, in high difficulty later Elder Greeds are really unpredictable and require skillfulness, which makes extremely enjoyable fights, all the more intense that they weigh heavily in the story.

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Like in Trails of Cold Steel II, you’ll spend a lot of time strengthening your Soul Devices. Tokyo Xanadu borrows the quartz system from Falcom’s other franchise, so it’s definitely convenient for Falcom fans. Those little spheres are to be placed on the grid symbolizing the Soul Device in order to boost HP, strength, defense, etc, and S-Rare quartz grant special effects like absorbing HP or increasing damage when your HP are full (absolutely devastating when used on Sora).

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You can change the Master Quartz of any Soul Device in order to modify its natural element and its specialization (physical or magical). This is especially important since enemies and their characteristics are announced before starting a dungeon : you need to gather a team that can strike every weakness. Kô, as he’s locked in the team for most part, will have access to any element. Also, you’ll be able to improve the grid itself so as to unlock passive skills : resist KO, support an ally or chaining X-Strikes.

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Technically, the developer delivers quite a good work with Tokyo Xanadu. The 3D engine is very similar to Legend of Heroes on the same system, but we you look at it well, it has been improved because the modeling appears sharper. More than that, animation is impressive as it runs perfectly without any frame-rate drop, something difficult to achieve on a handheld. Falcom doesn’t forget to make it spectacular, with lavish X-Strikes and a diverse, immersive and stirring. Dungeons, however, did look very average.

Climax of Falcom’s efforts to make story-telling a great part of the experience, Tokyo Xanadu is a fine JRPG in all aspects. The flawless balance in its scenario and characters bring variety in entertainment, key part of a great JRPG. Its only mistake, in the end, is to fail to provide sufficient challenge. Big mistake or not? Everyone will have his opinion on that.

Review – Mary Skelter Nightmares

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How to renew Dungeon-RPG? In a genre fairly common on handheld due to its low profitability threshold, we might come to think we’ve seen everything. But here comes Compile Heart, determined to bring some changes in a now classic gameplay frame with Mary Skelter Nightmares.

Mary Skelter Nightmares takes place in a town that has slumped 666 meter underground. The cause of this disaster is an eerie tower that has sprouted from nowhere, unleashing countless fiends called Märchen (pronounce merhen) that capture inhabitants and torture them in the dark building. Jack and Alice are two of those prisoners waiting for their turn in anguish, until a young girl member of the local resistance, the Reimei, helps them evade what some already call Jail. After generations struggling to get rid of the Märchen, humans finally got their trump card : the Keshiki Shôjo, girls of unbelievable strength capable of slaughtering Märchen. With Alice, the group is large enough for the resistance to carry out its long-lasting plan : reach the surface through Jail.

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Although fragmented (because told between extremely long dungeons), Mary Skelter Nightmares’s narrative felt more interesting than your average Compile Heart plot. Given that the IP gave birth to two novelizations, you’d expect no less. It manages to create a suspense in which every character around you seems suspect. Dialogs also were more interesting than usual since it has a somewhat dark atmosphere full of suspicion that fits the horrible story. You can’t help being disappointed by the ending though, very unsurprising for a scenario that definitively had potential to impress. More than that, the lack of proper epilogue is a huge letdown since the player would expect to learn what happens to the main characters after the end.

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Mary Skelter Nightmares being a “girl game” like they say in Japan, the girls are lot more interesting characters than Jack, himself being being a perfect example of weak-minded hero always walked all over by the chicks. A purposeful gap rife in this kind of game and base of most of the fun dialogs. Girls have some eccentric personality that make all the fun : Kaguya is too lazy to ever do anything, Oyayubihime has acute size-complex and Gretel views everything scientifically but has zero common sense.

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Like in Makai Shin Trillion, each girl has a friend level that goes up when you offer presents. The system however isn’t as nice as in Makai Shin Trillion in which all presents had bizarre and fun designs/descriptions, whereas here they’re just a small written line. Interface is not as good also. As the cleverest of you might have noticed, every of the main characters represents a fairy tale : Alice for Alice in Wonderland, Shirayukihime is the literal translation of Snow White, etc. Quite a lot of anecdotes will be about that.

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But as this is Compile Heart and not Disney, the player has its right to steamy events. At high friend level, the game will provide special illustrations of the heroines, and some aren’t exactly soft. Given Compile’s poor offer recently in that matter, it’s rather satisfying despite the feeble quantity (quite less artworks than usual for the publisher).

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But all this is nothing compared the extra-lewd (but not mandatory) mini-game invented by Compile Heart for its newest RPG. It consists in wiping Märchen‘s blood off the heroine’s body by means of Vita’s touchscreen. I’ll spare you the erotic specifics, but it’s clear that Compile’s hardline is back after years of tasteless compromise. Idea Factory International has re-confirmed its intention to leave it is exactly as it is.

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Jail is a living being : your actions will impact its needs. Killing monsters feeds it and walk without picking up a fight allows it to sleep. At a certain satisfaction level, the prison will paradoxically grant you a random bonus like a heal, a buff or an increase in probability to meet the wandering merchant, key-person for your equipment and your relationships because he has the exclusivity of 90% of items in the game! Another point is that the dungeons are insanely large : surface is roughly twice or thrice Moero Chronicle for example. Fortunately, the developers had the wonderful idea of setting teleporters at each floor, which makes the progression quite comfy in the end. Progression that will also put your brain to test by various puzzles (blocks to be moved following more or less complex rules, slippery-floor mazes…) and many traps.

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But the main innovation in Compile’s latest game is fear and panic. Every dungeon is guarded by a Nightmare, large and hideous creature that can take you by surprise at any moment. The Nightmare is invincible : all you can do is drive it back for a short time, after what it will keep hunting you down in the corridors. You must then run away as fast as possible to lose it, without thinking where you’re actually going. Actually, you can’t, because the mini-map is deactivated automatically at this very moment, increasing the risk to run into a dead end! The Nightmare is vulnerable only after you’ve destroyed one of Jail’s hearts, generally hidden deep into the dungeons. You therefore have to progress during hours in anguish before the final confrontation with the Nightmare.

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In terms of gameplay, Mary Skelter Nightmares chooses a job system with various specialties like the Paladin focused on defense, the Blue Mage capable of casting any enemy magic, or the Blood Chemist who regulates the flow of blood in battle. Each job modifies the appearance of the characters with plenty of cool outfits, and we appreciate Nanameda Kei’s design once more in the nicely 2D animated models. The Blood Chemist is the only original job of this game, for it’s at the center of the blood system. Every Märchen beaten spills a certain amount of blood on your team. Once a character receives a certain amount, she’ll switch to Genocide mode, which multiply her power and almost nullifies the MP cost.

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But depending on how tainted the blood is, the character is at risk to activate the Blood Skelter Mode, far less desirable state since the ally become uncontrollable while still powerful enough to wipe out her own team in a flash. That’s where Jack comes in : the hero is placed in a supportive role, just like Ion in Moero Chronicle, and will use his own blood to avoid or cure the Blood Skelter Mode. There is a constant risk-management in this because Jack is liable faint depending on which actions you take.

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Despite introducing all this new gameplay stuff, Compile’s title fails to use it the best way. For example, many jobs grant skills that can target all enemies on the screen and usually allow you to end the fight within 2 or 3 turns. In the end, you’ll end up doing just that while healing yourself time to time. Jobs felt rather unbalanced, with few of them giving a real advantage. No strategy is really needed, as the item dealer can cover you fairly easily, so it’s nowhere as interesting as Moero Chronicle or Dungeon Travelers 2-2 in terms of pure gameplay. Battles remain shallow from back to front, most bosses not being that hard either.

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The only interesting boss fights were the ones taking place on several floors, as you actually need to activate traps to weaken the Nightmare while escaping its assaults and random battles. The flavor of those sequences (only two in the game though) lies in the fact that you can’t open the menu, thus can’t heal yourself between battles, forcing you to get the perfect timing.

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It’s obvious that Compile Heart designed Mary Skelter Nightmares to be more accessible than your average D-RPG : you can save anytime, go back to the base anytime without any limitation, characters are fully healed when leveling up and battles aren’t so frequent. Characters keep all skills from previous jobs, and they can change every ten levels, so it makes a party a little bit overpowered at some point. It can be played relatively easily but not with the same enjoyment as more challenging D-RPGs.

Loaded with nice and innovative stuff, Mary Skelter Nightmares paradoxically gives up on hardcore gameplay to let the player enjoy the new stuff without getting demotivated. The introduction of fear and panic elements, a better storyline, splendid design as well as hardcore ecchi stuff make it quite entertaining despite lengthy dungeons. Good but not perfect, Mary Skelter Nightmares is nevertheless Compile’s best offering this year.

Review – Kan Colle kai

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Representing naval ships by cute girls sure was a bold idea. Yet for 3 years now, the Kan Colle craze has taken Japan without any sign of slowing down. In 3 years, 3 millions of people have played DMM.com’s free to play strategy game. Feeling an opportunity, Kadokawa games lays down plans for a PSVita port. The handheld had a hard time seeing the light of the day (the numerous delays and Kadokawa’s decision to pull it from shelves show the negociations with DMM.com have been tough), but now it’s here, in the palm of your hand.

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In this naval strategy game, you’re a proud admiral of the Japanese Navy entrusted with the defense of the mainland against a mysterious Fleet of the Abyss. At first sight, no difference with your regular PC strategy game, except that here your fleet is exclusively composed with… girls! The game didn’t choose at random, since it borrows the name of famous WWII ships. You won’t be surprised then (or maybe a little) to see the aircraft carrier Akagi become a Kyûdô ace, or submarines turning into young girls in swimsuits! Kan Colle kai also welcomes foreign vessels like America’s Iowa or Germany’s Bismarck, who are featured as hot blonde girls. There are dozens of shipgirls (as the unofficial translation says), so everybody should find his favorites within the characters available. Yet the design is clearly uneven : the initial characters are not so well drawn compared to more recent additions. Nevertheless, the player throws himself in an unstoppable collection frenzy.

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Asia-Pacific in Kan Colle kai is divided into hexes that are areas you have to take back. Each turn on the map, you can either move your fleets or attack, after what it will be the enemy’s turn. Each hexe includes 4 zones and you must conquer the four of them to take control of the entire territory. At the beginning of the game, you only have Tokyo’s naval base. Be careful, because if foes seize it, it’s game over. Up to you to deploy your units efficiently enough to take back the coasts of Japan, enter Singapore, conquer Australia and finally destroy the Abyss HQ. Your job will be no less than winning WWII for Japan!

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Attacks are conducted by a group of 6 shipgirls or less, each zone having several battles before reaching to boss… if you manage to find it! The big challenge in Kan Colle kai is that most areas will ask you to form your group under precise conditions. For example, no more than 2 destroyers, no heavy carrier, minimum of reckon planes… The instructions are varied, but the immense difficulty lies in the fact that the game won’t always tell you what the conditions are! You have to try different combinations before getting the one that will lead you to the boss. Even by looking up Japanese and English wikis, it’s extremely long and harsh. The walkthroughs aren’t always complete nor do they even agree with each other. An unforgivable progression system that demands strong determination.

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Battles are turn based and the order of action depends on the stats of the units facing each other. If your reckon stat is high enough (if you’re stacked with planes, basically), your units will strike pre-emptively. If not, the enemy will fire in the middle of your turn. The result of battles depend on the level of your fleet : Kan Colle kai has an RPG aspect since each unit gains experience points at the end of the fight. When everyone’s done firing, the game will ask you if you want to keep fighting during the night. In this phase, accuracy is lower but you have a higher chance of dealing critical damage. Be careful, because it’s also true for the opposing units! Note that victory doesn’t require you to destory everything in front of you : the winning side is the one who has lost the least number of HP proportionally to its total HP.

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When attacking, the interface will ask you which formation you want to use. This is a strategic choice on your part that must be guided by your immediate goal. For example, the line formation is the best to deal damage but accuracy can get poor, while Echelon protects you better against submarines. Those basic rules already makes Kan Colle kai fairly complex, but that’s not the end of it.

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As you may have noticed, Kan Colle kai features several types of vessels, represented by cute icons on the strategic map : destroyer, light cruiser, heavy cruiser, battleship, aircraft carrier and submarines to cite thte main ones. There are uniques classes with very special abilities, but they’re very hard to obtain. Akashi, the girl of the supply menu, can for example repair units outside docks. Every class has a strategic role : you’re not leaving your simple destroyers rusting in the base because you’ll need them throughout the game. These are quite important to fight the infamous Abyss submarines, and they’ll be a key-conditions in many areas. Cruisers can damage carriers pretty badly, and submarines have the interesting advantage to be invisible to heavy units. Very expensive to produce, aircraft carriers are the best class in Kantai Collection. Well armored, useful for reckon and capable of lauching devastating pre-emptive air strikes, these girls marked by the small landing strip they hold are the units you’d want to include in your best fleets.

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Once you’ve mastered the strengths and weaknesses of everyone, you’ll need to focus on weaponry so as to have the best equipment for sortie. You can equip anti-air canons of various sizes, but all sizes don’t fit to every class type (lower accuracy is to expect if the canon is too big). War planes are divided into 3 categories : fighters, bombers and torpedo bombers which influence air superiority and air strike. You’ll also need to consider reckon planes which are key to your progression as we’ve seen. Other equipment like sonar and mines can damage submarines, and the precious repair unit can save the day in dire straights. All this comes with some huge hurdle in terms of understanding : partially written in Japanese of before 1945, Kan Colle kai is full of complex military vocabulary which only the most maniac can take on.

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That leaves a big question : how to develop your army? Like in any navy, actually : in shipyards. So you’re going to… build girls! This being a strategy game, you’ll need resources. Each hexe brings steel, gas, bauxite and ammo. Once those waters are under your control, resources will be added at the end of the turn. Bauxite is fairly rare but allows you to build the powerful carriers, so you should take such territories at all costs. You need transport vessels (not personalized, those one) in order to collect resources. Transports being incapable of defending themselves, you’ll have to appoint escort groups to prevent them from being sunk. Gas and ammunition are used every turn for resupplying your fleets, so securing resources is of critical importance. Note that you can also drop by Akashi’s shop if you’re short at some point. But the big thing to do there is purchasing tokens to extend repair or the upper limit of your army.

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Shipbuilding happening like a captcha of Japanese free to play games, the units are obtained at random. True, there are standard recipes which have been found by hardcore players, but getting duplicates is unavoidable. Nothing lost, because you can strengthen one character by consuming another character’s card. After reaching a certain level, shipgirls can even evolve into more efficient classes. Chiyoda and Chitose sisters for example evolve from seaplane to light aircraft carrier. Logical choice, because the Japanese Navy did improve the Chiyoda and the Chitose in 1943! Team of 6, random find, evolution… Yes, you got it : Kan Colle kai takes the exact same formula as Pokemon, with much success and efficiency.

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The more you progress in the game, the more aggressive the Army of the Abyss will be in its attempts to take back the lost grounds. And here, believe me, it’s not some pleasure trip. Hexes will turn turn yellow, ten orange and then to the maximum alert level, red. If no fleet is present to defend it, you lose all the 4 zones in it, plus the the one that comes just before! The conquest of one single hexe can take hours, days in some cases, so this Is absolutely huge in terms of presssure. In the late stages of the campaign, the Abyss forces launch attacks everywhere and everytime. You can’t take a break, even though you still have the hardest territories to take on. It will therefore be critical to station solid fleets at key points of the map and anticipate the enemy’s moves. Fortunately, several secondary missions will have allowed you to raise the number of available fleets to 8. Strategy in Kan Colle kai grows increasingly complex and demanding, but is proportionnally rewarding given the challenge. In short, exactly like a good Advance Wars.

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There are 3 levels of damage in Kadokawa’s game : light, medium and critical. If your flagship suffers critical damage, the current mission cannot continue and you’ll be forced to return to base. Heavily armored vessels are strongly recommended for this task. To increase the pressure, death in Kan Colle kai is definitive. A sunk character will not return (unless you rebuild her). And contrary to recent Fire Emblem games, here you can’t deactivate permadeath. A shipgirl with critical damage can die at any moment, making fights very tense like an old-school Fire Emblem : you pray for that the boss miss his shot, you triumph when your heavily damaged group wins tactical victory.

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Unfortunately, the game doesn’t really go beyond the original 2D, only little animation being added. Kantai Collection bring with itself an original and popular design which the reason for the wide merchandising. Even the Fleet of the Abyss, in featuring both grotesque figures and sexy “princesses”, makes very attractive artwork.

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The sound environment in the other hand is very good : with very loud firing sound, light military march and symphonies with grandeur, it’s varied and relevant. Themes like MI Sakusen and Hatsurei! Daiichigô Sakusen are definite masterpiece and make battles that you won’t forget. You also get the possibility to re-arrange the interior of your HQ with new furniture and such.

Japanese strategy games have become rare, especially those like Kan Colle kai which feature both addictive game and enjoyable challenge. Its interest and success lies in both its fine gameplay and weird design, which only got richer over the years. An impressive concept which takes the best from other Japanese strategy to build a unique and fascinating experience.

Review – Valkyrie Drive Bhikkhuni

Valkyrie Drive story

Rather ambitious media mix project, Valkyrie Drive had launched in three different formats last year in Japan. First a sexy mobile application, then a borderline hentai anime, and finally Valkyrie Drive Bhikkhuni, the console game part. And for the game to live up to the rest, the IP needed no other than Kenichirô Takaki, the creator of Senran Kagura.

Koharu drive

This new game from Marvelous starts with a heftier synopsis than Senran Kagura. Teenage girls are affected by a mortal virus of strange properties : some girls can transform into weapons, and others acquire the formidable strength to wield them. Dangerous for the society, they are quarantined on distant islands. Valkyrie Drive Bhikkhuni (not Bikini, although you’ll surely find some) tells the events happening on the island called Bhikkhuni, where are treated the girls who bear both symptoms.

Valkyrie Drive shitenô

But of course, what’s important is not the base of the scenario, but what you do with it. Whereas Senran Kagura Shinobi Versus actually told great stories from almost nothing, Valkyrie Drive Bhikkhuni fails to correctly develop its original setting. There is some long and tiresome part where the game introduces every character without making them really charismatic. This lasts about 10 hours and features mundane dialog with few humor strokes, nothing to be remembered. The story gets some interesting twists at the end, including more existential talk : you’ll learn the truth about the V-Virus treatment program and the risks implied for the persons affected. No illustrations have been made for the side stories, which are told on a black screen. This is boring to say the least. You might still be curious to discover the strange universe of the school-island Bhikkhuni, the professors of which being giant robots of animal aspect. This, at least, was surprising and entertaining.

Valkyrie Drive Imagawa Viola

There are seven playable cuties in the game (four times less than Senran Kagura Estival Versus), but of uneven importance. While the sisters Rinka and Ranka bear a somewhat tragic past, all the others have little background. Viola (back on photo) may well be the most charismatic of the rest by its elitist and haughty personality, and her voice actress Yû Kobayashi (Katsuragi’s voice in Senran Kagura) performs that quite well. The real disappointment remains that the past of the secondary characters is often hinted at, but never explained. There’s clearly a feeling you’re missing something and that the story lacks a lot of substance. And seven is no lucky number here : as characters fight in groups of two, there’s always some strange nonsense with Manpukumaru (absurd character with zero personality) coming randomly to balance the teams.

Valkyrie Drive Ranka charge

Immediately when you start playing, you realize that Valkyrie Drive Bhikkhuni wants to go beyond Senran Kagura in terms of gameplay. Adding to the traditional combos, complexifying at each Drive (see below), the battles put some emphasis on various aerials. Initiated with circle and X (although in some cases, X alone can trigger them), they allow different final blows like Phantom Dance (long aerial combo) or Phantom Fall (throwing the enemy back on the ground). Each character can also charge a more powerful attack with triangle, capable of wiping out large groups of opponents.

Valkyrie Drive Imagawa

Like said previously, the character you control can resort to a Drive, that is to say the weapon form of her buddy provided the Drive gauge is filled. The aforementioned gauge has four levels that correspond to as many steps in the Drive state, with each time a more lavish look and more destructive skills for the weapon. The good point in Valkyrie Drive Bhikkhuni is that dodging (elegantly rendered by a quick slow motion) makes the gauge fill faster, ideal base for intense beat’em all action.

Valkyrie Drive Rinka special x

Like in Senran Kagura Estival Versus, three special attacks of superior firepower are available, but that will empty your Drive gauge in no time. You’ll have to take that into account since you might also want to use the healing capabilities of the Drive, which heals your character at each transformation. The girls have their own particular weapon and fighting style, which is slightly more developed than in the rival series. So in theory, the game developed by Meteorise (which worked on Senran Kagura Bon Appetit before that) has a compelling gameplay.

Valkyrie Drive Rinka boobs

But there is theory, and there is the actual experience. Once more, Valkyrie Drive Bhikkhuni ruins its good intentions by a simple drawback : it’s ridiculously easy. Even in hard mode, 90% of the game is piece of cake, as challenging as easy mode in Senran Kagura Estival Versus. The foes might far outnumber you, their I.A is close to a newborn chick and they’re barely threatening. The regular ground combos end up the best way to clear the stages quickly : no need of dodging, aerials, special moves whatsoever to prevail, the player might perform them to escape boredom. Bosses aren’t any stronger, since your fellow highschoolers can be beaten as fast as in twenty seconds… The teachers are way tougher but they’re just longer to defeat but not especially strong. In such circumstances, you can hardly be motivated to throw yourself in challenge mode (which asks you to perform a definite set of actions in limited time), not to mention the even longer survival mode. The most worthy goal still is to tackle the true end, which can be unlocked by clearing missions at high rank. In such case, the game should last you thirty hours or so.

Valkyrie Drive koharu connect

All this is a real pity, because Valkyrie Drive Bhikkhuni is seriously good to look at : it’s colorful, it’s over-the-top with lots of nice special effects and the moves are stunning and detailed even though the framerate could be better. As you could expect in a Takaki-made game, you’ll have your load of oversized breasts, underwear shots, suggestive poses and the mischievous changing room full of naughty touchscreen communication. Special mention for the Connect form for its glowing and deliciously revealing cybernetic armor“, it’s an absolute work of art in the ecchi style. Costume break might be a little shy compared to Senran Kagura, there is clearly no deceit in the fan-service.

Valkyrie Drive Bhikkhuni wanted to transcend the Senran Kagura formula but forgot the most essential part : game sensations. The appeal of fresh game mechanics vanish given the clear lack of challenge, and the incomplete story and universe don’t help it make a stronger experience. The fan-service is still met with fine graphics, design and direction. Up to you to decide if it’s enough.